Fifty Fifty is a fashion film exploring the timelessness of the Western genre and its links to modern melancholy. Team: Writer Director: Moriah Sawtelle Director of Photography: Andrew David Watson Stylist: Sionán Stylist Assistant Erica MacLean Hairstylist: Karl Payton Makeup Artist: Roberto Alvarado Gaffer: Sean Nejman Grip: Milos Janjusevic PA Sarah Kaidanow Talent: Faith Vaughn from APM Models Talent: Eugen Ivanov from Two Model Management Voiceover Artist: Maayan Voss de Bettancourt Location: Freehand NYC Menswear: Hat: Khia Tullae @khiatullae Blazer & Shirt: Recluse Club @reclusexclub Trousers: Ages @ages _ ny Womenswear: Hat: MG Archive Jacket: Kate Hundley @katehundley Skirt: Christy Lynn @christylynncollection Shoes: Schutz @schutz

Step behind the curtain with Broadway’s newest breakout star, Isabella Esler, in this intimate on-camera interview filmed exclusively for LO’AMMI. Fresh off more than 500 performances of Beetlejuice on tour and now making her long-awaited Broadway debut as Lydia Deetz, Isabella opens up about her extraordinary path from a “just-for-fun” TikTok audition to performing in one of New York’s most iconic theaters. In this candid sit-down, Isabella reflects on: - The surreal journey from community theater in San Jose to national tours and Broadway - How she battles imposter syndrome and the importance of giving herself grace - The unique bond she’s built with both fellow cast members and audiences across North America - The artistic challenges of performing in Life After—and earning a Dora nomination - What makes Lydia Deetz such a rare, powerful young female lead in contemporary theater - The joy and adrenaline of stepping on stage night after night - The creative routines that keep her grounded and inspired - The heartfelt advice she would give her younger self before pressing “send” on that first audition tape Warm, vulnerable, and full of insight, this conversation reveals the thoughtful artist behind the fan-favorite character, and offers a look at the passion and humanity driving Isabella’s meteoric rise.

As I Lay Dying, named after 1930 William Faulkner novel, is based on the Southern Gothic literary style born in the war-torn south, and popularized by authors like Flannery O’Connor and William Faulkner. The series features garments by recent Graduates of the Fashion Institute of Technology, and was produced almost entirely by FIT student and alumni.   Director:  Cameron Irish @cameronnobleirish  Photographer:  Anna Jewel Schluterman @annajewelphotography  Videographer:  Pat Sheils @psheils  Stylist:  Paige Windham @paigewindham  Mallory Pereira @mallorypereiraa  Makeup:  Ava Salcido @avasalcidomakeup  Talent:  Julia Shepherd Shook @juliashepherdd Ryen Hilton @ryenhilton  Rachel Pinckney @rachel80085 Designs:  Ellie Reed @elliereed.jpeg  Sophia Hayes @thecoolgirlnyc  Annika Hayes @annikahayes

In a striking union of fashion, philosophy, and theology, Berlin-based designer Yasemin Akgül presents "Kirâmen Kâtibîn – Rakîb & Atîd: Equality and Rebellion in the Creation of Givenchy", a couture editorial forged at the intersection of conceptual design and cultural memory. Created for the "Past Intelligence" exhibition at the Staatliche Museen zu Berlin, this two-look couture series engages in a radical reinterpretation of a 1986 Givenchy pattern once reimagined by Uli Richter. Yasemin Akgül breathes new life into this archival artifact, framing it within a deeply layered conceptual narrative drawn from Islamic tradition, the twin angelic recorders Rakîb and Atîd. These figures, ever-watchful, become metaphors for balance, surveillance, and moral rebellion. Visually grounded in the philosophy of Yin and Yang, the two designs evoke opposing yet interconnected forces: light and shadow, elegance and defiance, the past and the present. The editorial unfolds through a high-contrast interplay of black and white organza ruffles, precision tailoring, and timeless silhouettes, all captured through both digital and film mediums. Echoes of Audrey Hepburn's grace, particularly in the elongation and drama of the gloves, link Akgül's vision to the legacy of Givenchy while pushing it into new intellectual terrain. The Atîd look channels darkness and depth: a flowing black dress layered with ombré organza, suggestive openings, and dramatic ruffles that ripple like whispered secrets. In contrast, Rakîb radiates in white, the purity of its form interrupted by angular tailoring and sharp monochrome accents, culminating in sculptural wings and a pronounced bow that anchors its call for justice. Each frame in the editorial becomes an act of conceptual rebellion, simultaneously honoring haute couture history and challenging the viewer to consider the narratives that garments can convey. The result is more than fashion photography; it is a visual manifesto, crafted with precision, symbolism, and soul.

A behind-the-scenes look at ARIA Retreat & SPA: where nature, luxury, and introspection meet in perfect harmony.

Where Fashion Meets Gastronomy Directed and produced by Greta Molnar Photographed and edited by Daniel Koponyas Food styling by ANIMA Location (Filmed at Arany Kaviár Test Kitchen/AK LAB) Photography by Adrienn Blasko Model: Zsofia Zempleni (Sparkling Models) Hair styling by Balazs Barsi Makeup by Eszter Csalava Created by Gréta Molnár as part of her diploma work at Istituto Marangoni, Fourth Sense, explores the unexpected fusion of fashion and gastronomy, transforming four iconic luxury brands - Louis Vuitton, Valentino, Versace, and Balenciaga - into haute cuisine. Created in collaboration with AK LAB, the experimental test kitchen of Arany Kaviár, each dish was crafted using high-end culinary techniques, pushing the boundaries of food as an art form. Enhanced by immersive sound design, the film takes viewers on a multisensory journey, where textures, colors, and signature elements of fashion come to life on the plate. Fourth Sense redefines how we experience fashion, proving that creativity knows no limits.

Step into the mysterious allure of Secret Bar RYNSHU Manhattan as RYNSHU reveals their 40th-anniversary FALL/WINTER 2025 collection. This exclusive runway film fuses bold couture techniques with modern tailoring, celebrating Japanese craftsmanship and the spirit of "Passionate LOVE." Discover edgy silhouettes, intricate textures, and designs steeped in elegance and mystique. A homage to four decades of RYNSHU YAMAJI's groundbreaking vision, the collection redefines tailored modernity with a touch of Neo-Dandyism.

Passing By captures the fleeting beauty of moments in motion, blending urban landscapes with the fluidity of modern design. The editorial explores themes of transience, spontaneity, and connection, showcasing how fashion interacts with the energy of everyday life. With each frame, we dive into the poetry of being present in a world that is always moving, where the mundane transforms into the extraordinary. The collection features bold yet fluid designs that highlight the contrast between stillness and movement, drawing attention to the way style adapts to a fast-paced environment. Shot against vibrant urban backdrops, Passing By tells a story of ephemerality, connection, and the enduring power of self-expression. Credits: Director: Frederic Blindow (@fredericblindow) Cinematographer: Kevin Kaczynski (@kevin.kaczynski) Editor: Justin Bässler (@justinbaessler) Photographer: Justin Bässler (@justinbaessler) Sound Designer: Justin Bässler (@justinbaessler) Creative Director: Tim Borkenhagen (@timborkenhagen) Stylist: Sophia Friedl (@sophiiafriedl) Composer: Florian Weidl (@pxsitv_)